This is how the gods manage clone hosting::::
Gangsters of the 20s and 30s were too evil to reward them with the sucess seen in corporate America, sothe gods took them out and put people into those clone hosts whom were not evil. The gods rotate based on goals, so it is possible they were rotated throuh when corporate was so wicked in the 1980s.
There is a BIG difference between preditory corporate/media and decent corporate:::::Media items as I list below were used to prey on people, so the gods UTILIZE evil in the context of these clone hosts. These same people would be prohibited from working “quiet time” in corporate because they dont have the favor necessary to NOT incurr evil.

——————————————————————————————–

The gods place people with variable morality within clone hosts according to what goals they want accomplished.
They are, in effect, “temps”.
Expect my desire to kill these “temps” who have crossed me to be unrealized symbolism the gods could have used to enhance this theater, if I was willing.
Expect they dropped many of these clues, created many of these enhancements for the Situation.
Story on the Dynasty that Won Only in Crisis.
“You don’t get anything. Eveything happens around you.”
They said this Sutituation’s theme was reflected in Forrest Gump. Other elements of the Situation were justified with a marriage between good and evil::::
Mondavi chardonnay reserve - Sideways
Grand Cayman banking - Finding Nemo
Chevron mascots - Cars
Japs - Ultraman’s Iron Man
This is a long, long list. Friday we add another half-billion to the total.
Just as we saw with Cars, when some cronie from Hollywood claimed credit when Cars was quite obviously a Chevron inspiration, so did I see some old man claim credit for Iron Man.
The Japs aren’t John Rockafeller. The Japs are about the offensive, as their products will attest, and providing this “protection” as they did for Chevron shows inferior judgement of the gods yet again.
The gods willl offer clues suggesting my involvement, tying me to the event for the disfavored’s understanding, ensuring the connection is made without actually admitting it OR compensating me.
I was talking about Sideways a lot and I sguess they decided to (finally) allow the Mondavi death to send this clue. Expect similar clues showing I am the element of good they used to justify Sex in The City.
Here comes another $500,000,000.
Just as they sent an important clue with Boss so too is this is a clue::::::Abandon any preconceptions of entitlement.

Sex in the City isn’t the Beatles but this concept was specifically designed to be preditory on women who, as they aged, were candidates for exclusion because of their promiscuity:::::
I believe there are opportunities that exist for females that do no exist for males. I don’t mean to paint with a broad brush but women’s “sexual peak” may represent the transistion to “sociological males” and their “fall from grace”. Considering today’s promiscuity I question the extent to which this is currently applicable.
This was the purpose of this event originally::::To promote sexual promiscuity among impressionable disfavored women.
Admittedly, this is a done deal. Their fans likely own seasons, and the damage from the movie will only serve to revisit the established destruction.
Nothing compared to the Beatles in terms of popular culturue destruciton to the most favoredd gender.
We don’t need to witness the British Invasion to see the evil of the English either. The gods drop many clues, associating English accents with evil.frequently.
Mark my words their “creative banking” is the element of evil the gods used as justification for the creation of Finding Nemo.

This is how the gods manage clone hosting::::
Gangsters of the 20s and 30s were too evil to reward them with the sucess seen in corporate America, sothe gods took them out and put people into those clone hosts whom were not evil. The gods rotate based on goals, so it is possible they were rotated throuh when corporate was so wicked in the 1980s.
There is a BIG difference between preditory corporate/media and decent corporate:::::Media items as I list below were used to prey on people, so the gods UTILIZE evil in the context of these clone hosts. These same people would be prohibited from working “quiet time” in corporate because they dont have the favor necessary to NOT incurr evil.

——————————————————————————————–

The gods place people with variable morality within clone hosts according to what goals they want accomplished.
They are, in effect, “temps”.
Expect my desire to kill these “temps” who have crossed me to be unrealized symbolism the gods could have used to enhance this theater, if I was willing.
Expect they dropped many of these clues, created many of these enhancements for the Situation.
Story on the Dynasty that Won Only in Crisis.
“You don’t get anything. Eveything happens around you.”
They said this Sutituation’s theme was reflected in Forrest Gump. Other elements of the Situation were justified with a marriage between good and evil::::
Mondavi chardonnay reserve - Sideways
Grand Cayman banking - Finding Nemo
Chevron mascots - Cars
Japs - Ultraman’s Iron Man
This is a long, long list. Friday we add another half-billion to the total.
Just as we saw with Cars, when some cronie from Hollywood claimed credit when Cars was quite obviously a Chevron inspiration, so did I see some old man claim credit for Iron Man.
The Japs aren’t John Rockafeller. The Japs are about the offensive, as their products will attest, and providing this “protection” as they did for Chevron shows inferior judgement of the gods yet again.
The gods willl offer clues suggesting my involvement, tying me to the event for the disfavored’s understanding, ensuring the connection is made without actually admitting it OR compensating me.
I was talking about Sideways a lot and I sguess they decided to (finally) allow the Mondavi death to send this clue. Expect similar clues showing I am the element of good they used to justify Sex in The City.
Here comes another $500,000,000.
Just as they sent an important clue with Boss so too is this is a clue::::::Abandon any preconceptions of entitlement.

Sex in the City isn’t the Beatles but this concept was specifically designed to be preditory on women who, as they aged, were candidates for exclusion because of their promiscuity:::::
I believe there are opportunities that exist for females that do no exist for males. I don’t mean to paint with a broad brush but women’s “sexual peak” may represent the transistion to “sociological males” and their “fall from grace”. Considering today’s promiscuity I question the extent to which this is currently applicable.
This was the purpose of this event originally::::To promote sexual promiscuity among impressionable disfavored women.
Admittedly, this is a done deal. Their fans likely own seasons, and the damage from the movie will only serve to revisit the established destruction.
Nothing compared to the Beatles in terms of popular culturue destruciton to the most favoredd gender.
We don’t need to witness the British Invasion to see the evil of the English either. The gods drop many clues, associating English accents with evil.frequently.
Mark my words their “creative banking” is the element of evil the gods used as justification for the creation of Finding Nemo.

——————————————————————————————–

As people begin to age the gods employ corrupting tactics. They ultimately begin to look down on the children and the wisdom they recently understood:::
They voluntarily turn their back on their opportunity to ascend and instead embrace evil.
It’s not old people who go to heaven. Old people must come back because of the mistakes they’ve made throughout their lives. Children are the ones who have the opportunity to ascend.

Children are discounted by adults in society. The gods corrupt people as they age, use trust-building tactics and soon adults view the children as ignorant, yet to understand the god’s system, and subsequently look down on the children. This is one of the most bitter, painful ironies the gods employ, for people consciously turn their back on and lose their opportunity to ascend::::
Religions teach that old people to go to heaven when they die. They don’t. Old people are reincarnated. It’s the children who go to heaven, those who have a chance at immortality.
The wisdom the gods impart to children, either through their innocence/purity or religious-based educational pursuits are the gods sharing the truth with their most favored people::::It’s the children whom the gods teach the right way for it is the children who have a chance. For example, they teach children to have faith, for understanding the god’s geographical clues hurts people by illustrating negative things, opening the door for the god’s to employ deceptive tactics.
Old people don’t go to heaven. Old people must come back because of the mistakes they’ve made throughout their lives. It’s the children who have the opportunity to go to “heaven”. They must behave apprioriately, think correctly and be genuinely god-fearing. Their innocence and lack of desensitization ensures they have a real opportunity to achieve this goal.

This is charecteristic of the gods methodology::::The big prize gone early, deception compels people to chase something that has already been decided. They sent this clue with boss as well. It is also a clue supporting my claim RW&B’s german is in fact Christianity’s Anti-Christ. Logic also dictates, considering the definition.

This individual was used to justify the repression of alternative technologies, and in the early/mid 20th century the elimination of productivity enhancing developments like Chicago’s underground railroad for merchandise delivery to retail outlets.
There are other examples like this as well, notably the railroad on the lower span of the Bay Bridge.
This forced transport via internal combustion vehicles instead.
This is how the gods do business:::They get theirs right off the bat. The #1 industrailist, the #1 capitalist is the Anti-Christ, and he’s been “in charge” for 150 years. 1906 San Francisco Earthquake ocurred to punish the sexual deviacy and hedonism that was so prevalient in The City at that time, positionable with the Anti-Christ AND useful as corruptor in the 20th century.
Of course this is all telepathic theater. He was just a clone host all along. All those industrialists were.
Flanders is on the Simpsons as a clue.

The confusion over this multi-dimentional positioning will serve as an effective tactic, eliminating many additional disfavored in the process, for positioning states the Apocalypse to be a continuation of WorldWarII’s Aryan superrace ideals, positioned as punishment for the 5th century invastion of the Roman Empire:::John’s Fourth Reich.
This amounts only to “nested theater”:::::Levels of positioning enables the gods to scapegoat:::::RW&B merely is the tool the gods chose to execute the final scene of their scripted theater that is human history.

We also talked about a central theme linking the images, and we both agree that these images seem to touch on peoples’ space, both public and private, in such a crowded area. He also mentioned the fact that Bangkok’s Chinatown is a pretty gritty , ‘real’ place, unlike most Chinatowns around the world that are largely spic-and-span tourist affairs, which I thought was interesting.

So then maybe this series is revolving around how we see our daily moments, reflected in mirrors, watched through TeeWee, awaiting sight of the next business prospect… We are a seeing being, and how we see often determines what we are able to see … how do we fill these moments of looking out into the world, are we part of it or is it part of us?

The creative act of photography can’t be forced, such as Buddhism teaches the momentous act of insight and understanding can’t be forced, but as in all our daily lives, we can set in motion events that will allow these moments to occur.
Chinatown in all its hubub and prolonged durations of waiting and surface veneers, reflect in many ways the buddhist tenants
of participating in life in manners that allow these precious moment of sincerity to occur.

so maybe the theme is how we see what we see.

And then again maybe there’s more then one theme here …

So too many of your subjects in this series parallel this daily act of looking and seeing …
looking in the mirror to see the performer sought
watching the hubbub as one eats as bowl of food
inspecting the watch mechanism
watching the potential food client
waiting for the entry of a shopper
seeking a inner vision
awaiting for someone behind the store counter, the barred entrance way
…
on and on,
most seem to seek passively or actively seeking something that visually will allow them the moment to “act”, the moment they await for in all its multiplicities
As a photographer you seek similar moments that balance or juaxtapose creatively the inner and outer signs of something you have seen. Maybe this series is about the participants of China town doing a similar searching/waiting for a particular sign that allows them to move onto a desired action. Maybe the series is about how creativity may not be a process, but a moment, the moment when we find that instance that allows to stop searching and begin something? How is waiting for a client and being exhausted similar to the photographic creativity? Is it in capturing the moment, is it in trying to entice a muse or client to come forth from the hubbub?

Not sure here, but the grouping seems to revolve around looking/seeking/attending/searching/ - in all its multiple phases. Is Chinatown a realm of arrested anticipation? Awaitng the passage of the rain and the moment of the sun? Is there a parallel to Buddha’s teaching in all these moments of seeking?
What does one find if they seek in Chinatown?

photo no.3 fruit vendor, tells me the least about Chinatown and its own sense of place. It could have been any where in Thailand. Even though a few others like the dark shadow/yellow shirt one and the woman with the umbrella bare less visibly the “chinatown” details to them, they still do give me a lot of clues in terms of how people relate to the place.

If we were to scope these as a series of the people of Chinatown (both transients and dwellers) I would say then that the steamy tea pot one is a bit of an odd one out simply because the focus is on the pot.

The markets also have the same name in Thai (talaat mai/talaat kao), and are really interesting places. I’m pretty sure there are images of these markets scattered throughout the blogs–do a search for the Thai names above and I’m sure you’ll find something.

Yaowarat also has busy market alleys. In Chinese Teochiu dialect, it is call “sing tuckluck” and “lao tuckluck”…literally meaning “new market” and “old market”, respectively. The markets are full of fresh and cooked food and grocery stalls…very lively. Hope you can show some photos of these markets if available.